|
PAGES: 1
2 3
4 5
6 7
8 9
10 11
12 13
14 15
16 17
PAGE 11.
Reykjavik: Day 2.
No packing and no travelling. Luxury! Another
beautiful day with a bright blue sky. I took my camera and explored
the old part of town with its colourful wooden houses, then found my
way to a sea of crystal clear water with the ice-capped mountains in
the distance. Breathtaking.
Met some fans that had come as far as Japan and
slowly made my way to sound check, rested, relaxed and ready to
play. We had seven shows to go and I was feeling good.
 A morning walk through old
Reykjavik. |
 This young lady flew all the
way from Tokyo.
|

Some of the Reykjavik crowd
were a little eccentric! |
During the show a splinter from one of my drum
sticks embedded itself deep into a finger nail on my right hand. In
the interval I pulled it out with a pair of old stage pliers. Wrong!
I put some plaster on it and carried on for the next few days
thinking it would soon clear up. It got worse and by the time we got
to Paris it was really bad so I called for a doctor who I thought
would give me some antibiotics. He said it was very serious and I
must go to a hospital immediately to have an operation to get the
poison out. So lunch in Monmartre was out. The cab smelt of sweat
and Gauloises and the driver (who drove like a madman) got lost. We
eventually arrived at the Victor Hugo Clinic which specialised in
all hand injuries. After filling out endless forms a young
anaesthetist came to the operating theatre where by this time I was
dressed in plastic hat, shoes and underwear and laying flat on my
back! “Zees will 'urt” she said and it did! I suddenly thought I had
made a huge error. Never get ill in a foreign language. It was four
in the afternoon and - having to switch the mobile off - nobody knew
where the drummer was. It was late and I had already missed the
sound check. After what seemed like an eternity I was back in a cab
on my way to the theatre with half an hour to show time.
My hand was numb and I was not in a great mood!
Back stage was full of friends and I had a choice of going on or
cancelling. Cancelling was not an option to me. How far can I go
with the right hand without making it worse? The last thing the
doctor said was to rest and keep it in a sling. Fat chance, this was
Paris and my hand was still numb from the anaesthetic. Minutes
before the Paris concert, I practiced the set, my solo parts and all
the fills with my left hand. My thumb and forefinger tried to grip
the stick for the ride cymbal at 45 degrees!
 Back stage in Paris with
Suzi Quatro one hour after my operation and 25 minutes to
show-time.
|
 Not a pretty
sight! |
Apart from being very disappointed at
the situation I found myself in and knowing the place was full of
friends, the only thing to do was take it on the chin, smile, make
playing left-handed a challenge ... and get on with it. One of our
back stage guests was Suzy Quatro. We knew each other through our
association with the late great Mickey Most. She knew how I felt as
she had once gone on stage with a broken arm. So, with cries of “go
for it”, I walked on stage and played the show leading from the
left!
 “I'm
done!” |
The Paris audience were great. But I was done! The
anaesthetic started to wear off after I did some upward strokes on
one of the crash cymbals. Warren looked at me and shook his head as
if to say “Are you nuts?” He was right. A few friends came back to
the hotel and said what a great show it was. Phil Jarvis and a few
drummers would have been disappointed (as I was) with my
performance, so a few glasses of champagne and an early flight the
next morning.
|